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Case Study
Invisible Visible

We supported artist Hope Caitlin to create a live and digital exhibition exploring disability and the barriers to workplace inclusion

When we begun developing a disability policy, artist Hope Caitlin – a youth member of our company Steering Group at the time – volunteered to help shape the process, suggesting that, as a creative company, we could take a creative “storytelling” approach. We recruited Durham University student intern Millie Stott to gather stories from seven individuals with lived experience of disabilities, many of which would be invisible in their workplace, who shared perspectives of inclusive workplace practices from a range of sectors.

From policy to public engagement

As an artist who had lived with invisible disabilities since the age of 11, Hope saw a valuable opportunity to engage in this project, working closely with Millie to develop a series of artworks as a direct response to these testimonies. Whilst initially used to illustrate our company disability inclusion policy, it was clear that the artworks were powerful testament to her lived experience and creative expression, deserving of recognition in their own right.

We went on to support Hope, setting up meetings with exhibition venues, linking her with curatorial mentors, working alongside her to extend the potential reach of her work for different audiences, including those with lived experience of disability, but also managers and employers in a position to create more inclusive workplace environments.

What we delivered together

Creating a public exhibition

Hope created an impactful series of illustrative works and conceptual photography pieces as a direct response to the testimonies we had gathered. We supported her to exhibit this artistic collection in Bishop Auckland Town Hall in 2024 and as a digital exhibition hosted by Durham University.

Developing a booklet

We supported Hope to articulate the messaging she was trying to convey with her imagery and to sequence the artistic content and lived experience testimony into a booklet that also includes space for participants to write or draw their thoughts on a series of questions we have posed, as a way of inviting reflection and dialogue.

Planning and delivering workshops

We went on to consider the target audiences for a series of engagement events and to support Hope in defining the learning objectives for each, planning an empowerment workshop for individuals managing their own invisible disabilities and a workshop to support managers to consider how to enhance the inclusive practice in their workplace.

Take a look at the resulting digital exhibition – Invisible Visible

View

Outcomes

Increased opportunity

Our support enabled a young emerging artist to gain additional opportunities to publicly display her work, with a digital exhibition following the initial installation at Bishop Auckland Town Hall.

Increased opportunity

Practitioner confidence

Our support of both our Durham University student intern Millie Stott, and visual artist Hope Caitlin, enhanced the confidence of these young practitioners to realise their potential.

Practitioner confidence

Increased insight

Both the exhibition of the artwork and the workshops based around it, created important opportunities for reflection on what is needed to achieve a truly inclusive workplace.

Increased insight

Our
Impact

“I would like to thank you for sharing such inspiring and amazing art with us.”

Audience member

Bishop Auckland Town Hall

“Very inspiring work. Art is such a great outlet. Invisible Visible was so moving. Well done Hope from one spoonie to another.”

Audience member

Bishop Auckland Town Hall

“Loved Hope Caitlin’s exhibition. Really creative, intelligent and thought-provoking. Hope many people come and see it. Well done, Hope!”

Audience member

Bishop Auckland Town Hall

“Amazing work – both exhibitions give reason to examine your own thoughts. Hope Caitlin – great insight into hidden disabilities – I hope it makes people re-evaluate.”

Audience member

Bishop Auckland Town Hall

“Living as a chronically ill young person, it can be easy to feel isolated, detached from those around you who seem to be living their lives free of the difficulties of fatigue and everyday pain. Even though I have lived with pain every day since my late teens, I still struggled to identify myself as disabled, not knowing if this applied to me or my experiences. For this reason, when I was hired as a summer intern with Changing Relations to collect stories of disability and present these in a creative way, I decided to focus my project on narratives of invisible disability, collecting stories from people whose conditions, like mine, could not be seen from the outside, but were still valid and had an impact on everyday life for a multitude of reasons. Hearing and exploring this throughout the project, I have reflected on my own identity and become more comfortable talking about disability theory outside of my individual experiences.”

Millie Stott

Durham University student intern,

“For many years I’ve worked as an independent artist, struggling with many health issues that have limited my capacity. Lisa’s approach to not only adapting projects to my needs, but stressing the importance of accessibility and self-advocacy within the work I take on, has been an invaluable lesson and something for me to take forward as I develop my career. As someone just emerging into the art and social enterprise world, she has always made me feel capable and strengthened my belief in my own abilities, while also being on hand whenever I need to seek guidance. She has given me a confidence boost that has majorly skyrocketed my ability to put myself out there and broaden both my artistic and community-based horizons.”

Hope Caitlin

Artist

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